Imaginative, inspiring, lyrical, and beautifully written, Still Water Saints evokes the unpredictability of life and the resilience of the spirit through the journeys of the people of Agua Mansa, and especially of the one woman at the center of it all. Theirs are stories of faith and betrayal, love and loss, the bonds of family and community, and the constancy of change.
At the age of two, he migrated to southern California with his family and grew up in the city of La Puente, a suburb of Los Angeles. Earning a B. He now teaches creative writing at UC Riverside. Still Water Saints is his first novel. He cursed and called her names. She beat him back with her bare hands and sent him running, his cloven feet tapping against the tile of her kitchen floor.
She was a Bruja.
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A Santa. A Divina. A Medium, Prophet, and Healer. Able to pass through walls and read minds, to pull tumors from ailing bodies, to uncross hexes and spells, to raise the dead, and to stop time. Her stories come together around grand themes, each thematic chapter dedicated to a portrait of a particular boy, girl, mother, couple.
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Just when the reader suspects a surfeit of characters, here comes a new personaje into the mix. She meets a curandero just setting up his tiendita in the storefront business. He mentors her, shares wisdom and books. She takes over the shop. From her front window and the empty lot next door she watches Agua Mansa change, maybe for the better maybe not, but sure enough change.
Landscape, society, those things change. Perla aside, Still Water Saints is less about sanctity than everyday gente with extraordinary needs and no miracles. Yet, the one needs what the other can provide. So close, yet so far. What does it take to bring them together?
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Still Water Saints is one of those puro character novels readers will want to share with friends or book clubs. Read the rest of the opening chapter at this link. Request for Submissions The Lost Border: Essays on how life and culture have been changed by the violence along the U. This book will feature writers from both sides of the border who explore the culture that has been changed or lost, the lives that have been split in two, and the way of life that has been interrupted, or even eradicated, by the violence along the border.
Some of the questions that might be explored are: What way of life has been lost due to the recent violence?
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What are the ramifications of this change for culture, politics, families, institutions, the arts, and even individual psyches? Will it be possible to regain what has been truncated? Are there any positive side-effects? We hope that writers will conjure the past in telling moments and reflect on the forces that have spun out of control to destroy the unique bi-national, bicultural existence of la frontera. Please read the submission guidelines and follow them. We look forward to reading your submission. We will contact you by email about acceptance or rejection of your essay.
Sarah Cortez Cortez. Sarah gmail. The length of the essay should be 3, to 6, words; please title your essay.
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The essay should be unpublished and written in English. Each essay should be typed in Times Roman point type with standard manuscript formatting for margins and spacing. Include your name, snail-mail address, two contact phone numbers, two email addresses, and exact word count in the top left margin of the first page of your manuscript.
We do not accept electronic submissions. No submissions will be returned; please keep a copy for your records. Please include a one-paragraph biography summarizing your publishing credits. Include a sentence or two that defines your relationship with the border e. If your essay is accepted, we will need an electronic file as a Word document. We will contact you about suggested revisions. Sor Juana Conference Reminder. Rudolfo Anaya conducts workshop. Eschewing self-publication as an avenue to disseminate the extraordinary output by Latino writers, the objective was to see that Hispanics learned the procedures and the foibles of getting published by refereed commercial and academic presses.
At the same time, realizing that often entry to publishing was first through small independent presses, much attention was given to making those available to writers as well. An important factor is that young and old writers alike are beginning to challenge and stretch the boundaries of the time-proven literary genres. For example, novels and short fiction alike have delved into areas not usually seen in American literature.
While new genres come from those immigrants with recent immigrant experience who retell the American story in another time frame, it also involves the use of multiple codes of communication. In order to make the conference accessible to a wide range of Latino writers, the cost is nominal in comparison with other national conferences. During the three-day conference, several opportunities are provided for registrants to read from their work in open microphone sessions.
Still Water Saints: A Novel by Alex Espinoza | LibraryThing
This is one of the most attractive features for aspiring writers who often lead a solitary existence while crafting their own work. Also a great attraction is the guaranteed one-on-one interviews with an author, an editor and an agent during the course of the conference or especially on Saturday morning of the event. It is the goal of the organizers to be able to offer such scholarships to students nationwide.
Come join us, learn, grow, and get your work known.